Uncertainty is the main aspect in my works, as far as my emergence from rural environment to the ambience of the city caused drastic evolution in my mind and works. The out-ward design; the influential power of a product in our growing community, satirical mode is what I am dealing in my works. Abounded personal feelings, affinity is mode of operation and selection of images, but in paintings it becomes a metaphor; energy, fuel, invasion, war all these are coincidental factors of emerging world. Drastically growing automobiles and food and fuel deficiency; ‘to be an owner of a dream house and automobile’, in the minds of every Indian. Ethanol, bio-fuel consuming most of the American countries even India are producing ferociously from food items, when most of the African countries not having enough food. In a way I am conceptually linking the gap I made deliberately to two types of paintings. The sexual affinity towards objects, when using closely and shiningly, moves in to another dimensions. My critical mentality towards social hierarchies and hyper ness is what I am trying with hyper-perfection realistic objects, though you seemed as a abstract.